DJ set:
ID: A19.12
GRAY MAND()RLA
DJ set
Darkness for Shine
DJ
Sergey Shabohin aka GRAY MAND()RLA
Playlist:
Dj: GRAY MAND()RLA
Dj-set: Darkness for Shine
︎ Spotify playlist
Dj-set: Darkness for Shine
︎ Spotify playlist
First show:
November 16, 2019 / 22:00 — 01:10
Festival Narracje #11,
Klub Festiwalowy, Gdansk, Poland
Festival Narracje #11,
Klub Festiwalowy, Gdansk, Poland
GRAY MAND()RLA,
Festival Narracje #11,
Gdansk, Poland,
2019
︎Narracje #11
Festival Narracje #11,
Gdansk, Poland,
2019
︎Narracje #11
Second show:
November 23, 2019 / 20:30 — 22:10
Congress-Performance of Cultural Workers,
LO-FI Social Club, Minsk, Belarus
Congress-Performance of Cultural Workers,
LO-FI Social Club, Minsk, Belarus
GRAY MAND()RLA,
Congress-Performance
of Cultural Workers,
Minsk, Belarus
2019
︎ Dzina Danilovich
Congress-Performance
of Cultural Workers,
Minsk, Belarus
2019
︎ Dzina Danilovich
New resource:
ID: N19.3
New website:
shabohin.com
Date:
August 1, 2019
Start of new detailed database on the artist's work of Sergey Shabohin. Here you can find information about the activities of the artist during the last 10 years.
Website structure:
Information About the artist: full CV, contacts, bibliography, selected articles and partner institutions.
Works are presented in the form of Cycles, with detailed technical information, as well as an Index.
Also on the site detailed information about Exhibitions with an Index. + News with Index.
The site has developed a detailed Index with the ability to sort materials by date, place, name and tag.
Works are presented in the form of Cycles, with detailed technical information, as well as an Index.
Also on the site detailed information about Exhibitions with an Index. + News with Index.
The site has developed a detailed Index with the ability to sort materials by date, place, name and tag.
Work cycles:
Practices of Subordination
Mobile author collection of objects of fear. Totality archive: the total author’s collection, photographs, documentation of actions, video, objects etc.
Mobile author collection of objects of fear. Totality archive: the total author’s collection, photographs, documentation of actions, video, objects etc.
ST()RE
Research project. The discovery of the hidden historical layers. Work in the field of memory: public spaces, museums and historically rich places.
Research project. The discovery of the hidden historical layers. Work in the field of memory: public spaces, museums and historically rich places.
Art Aktivism
A series of activist, institutional criticism and anti-aesthetic art works, actions and installations.
A series of activist, institutional criticism and anti-aesthetic art works, actions and installations.
We are Stern Consumers of Cultural Revolutions
Work is concerned with the heritage of the avant-garde. At the beginning of the 1920s the art school UNOVIS was located in the town of Vitebsk. Artist points out the fact that, during the Cold War, the ideas of the avant-garde were received in a far more positive and appreciative way in western culture. They are returning to Belarus today in the form of mass culture and design for the mass consumer.
Work is concerned with the heritage of the avant-garde. At the beginning of the 1920s the art school UNOVIS was located in the town of Vitebsk. Artist points out the fact that, during the Cold War, the ideas of the avant-garde were received in a far more positive and appreciative way in western culture. They are returning to Belarus today in the form of mass culture and design for the mass consumer.
Social Marble
The cycle is based on the practice of cleaning services in Minsk, which are not able to wash graffiti on marble and began to glue them with a film with a marble ornament. Works on historical fakes and layers, on Belarusian society and its myths.
The cycle is based on the practice of cleaning services in Minsk, which are not able to wash graffiti on marble and began to glue them with a film with a marble ornament. Works on historical fakes and layers, on Belarusian society and its myths.
Zones of Repression
Or Displacement Zones
On the example of how men leave telling each other in the men's toilets of Minsk at the joints between the tiles, the series of works tells about the situation of the LGBTQ + community in Belarus and the styrene conservative society as a whole.
Or Displacement Zones
On the example of how men leave telling each other in the men's toilets of Minsk at the joints between the tiles, the series of works tells about the situation of the LGBTQ + community in Belarus and the styrene conservative society as a whole.
Fear of Castration
The series of works aimed at criticizing the official Belarusian culture through paradoxical clash with gay sex subculture.
The series of works aimed at criticizing the official Belarusian culture through paradoxical clash with gay sex subculture.
Street Without End
The project is dedicated to Novopolotsk – a young city in Belarus, which began to be built in 1958 as a utopia.
The project is dedicated to Novopolotsk – a young city in Belarus, which began to be built in 1958 as a utopia.
Murals
Wall paintings are highlighted in a separate cycle of works.
Wall paintings are highlighted in a separate cycle of works.
ПУСТ*
ПУСТ* (PUST) is an interdisciplinary project exploring the processes of mythologization of a specific historical event – the Belavezha Accords of 1991. The project includes а light installation, dance, sound, multi-channel video, along with found and specially created objects.
ПУСТ* (PUST) is an interdisciplinary project exploring the processes of mythologization of a specific historical event – the Belavezha Accords of 1991. The project includes а light installation, dance, sound, multi-channel video, along with found and specially created objects.
Depending on the Pat
Or The Transparent Choice
A series of objects and actions on the theme of choice.
Or The Transparent Choice
A series of objects and actions on the theme of choice.
Every Day I Talk to the Dead & Alive Artists
Appropriation of works by other artists, reflection on the history of art and the art system. Criticism of the commercialization of art and consumerism.
Appropriation of works by other artists, reflection on the history of art and the art system. Criticism of the commercialization of art and consumerism.
Plans:
Soon the site will contain information about publications, collections, as well as the procedural journal of the artist.
Award:
ID: N19.2
Award:
MPM Bureau Award
May 29, 2019
Ana Loktionova curator of the solo exhibition 18 / Practices of Subordination by Sergey Shabohin got third place in the nomination Photography curator of the year
Prise:
MPM Bureau Award, The Month Photography in Minsk, Minsk, Belarus
Nomination:
Third place in the nomination Photography curator of the year
Sergey Shabohin:
fragment of the exhibition
18 / Practices of Subordination,
Canteen XYZ, Minsk, Belarus,
2018
fragment of the exhibition
18 / Practices of Subordination,
Canteen XYZ, Minsk, Belarus,
2018
Curator:
Ana Loktionova
Link:
Award:
ID: N19.1
Award: Rada
January 21, 2019
The solo exhibition 18 / Practices of Subordination by Sergey Shabohin received a prize in the nomination Best Art Project 2018
Prise:
Rada Award, Minsk, Belarus
Nomination:
Best Art Project 2018
Sergey Shabohin:
fragment of the exhibition
18 / Practices of Subordination,
Canteen XYZ, Minsk, Belarus,
2018
fragment of the exhibition
18 / Practices of Subordination,
Canteen XYZ, Minsk, Belarus,
2018
Curator:
Ana Loktionova
Residence:
ID: A18.1
Residence: Slavs & Tatars studio
Date:
November 20 – December 20, 2018
Place:
Slavs & Tatars studio, Berlin, Germany
Support:
Goethe Institut Minsk
Sergey Shabohin in
the Slavs & Tatars studio,
Berlin, 2018
the Slavs & Tatars studio,
Berlin, 2018
About residence:
We’re excited to announce a new residency for artists, curators researchers and scholars from Slavs and Tatars’ geographical remit, starting with Minsk, Belarus. A fully equipped studio apartment will be available for single residents for a period of 1-3 months. The courtyard apartment is contiguous to the Slavs and Tatars’ studio. Residents will split their time between their own practice and a mentorship program with Slavs and Tatars. The 2018–2019 program is generously supported by Goethe-Institut, Minsk and Goethe-Institut, Yerevan respectively.